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Nomin BoldNomin Bold was born in 1982 in Ulaanbaatar. In 2005, she graduated in Mongolian traditional painting (zurag) from the School of Fine Arts of the Mongolian University of Arts and Culture. She has now become well known around the world for her extremely thin brush painting and for her way to represent modern themes with Mongolian traditional painting techniques. While Buddhist imagery still haunts a part of her inspiration, she boldly ventures into raising awareness of the cultural identity crisis that meets Mongolian society without ignoring each of its evils. She also pinpoints the condition of Mongolian women in a harsh world in which very subtly they actually pull the strings. |
« From Us »2013 Acrylic on canvas 85x137 cm An original representation of the Five Elements (Fire, Wood, Air, Water, Earth) in a themed composition with the following message: “We see our planet getting destroyed in front of us, however we do not have time to care about it and to protect nature and the environment. It indeed only depends on Us to stop destroying our planet and to save it.” |
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« Unconditioned Need for Harmony »2013 Acrylic on canvas 130x100 cm In this painting Nomin symbolizes the opposition between « angel » and « devil » characters in a woman who fight for harmony in one same person. Equally, Good and Evil, God and Devil must find a harmonious balance for their coexistence on Earth as it has a massive impact on humanity and even on its existence. |
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« Behind the Curtain »2013 Acrylic on canvas 94x70cm Becoming a woman involves abnegation and remaining silent. Do not see, do not say, do not listen to what can cause you harm. |
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“Mrs Mongol “2011 Acrylic on canvas 100x80cm In this representation of today’s Mongolian woman, one can see some satirical views as she is tempted by numerous appealing things although clad in her Mongolian traditional dress (Deel) with Louis Vuitton design and at a time when, no so long ago, she was tending her sheep. In fact, the Artist wishes to express her wish to see Mongolian culture and traditions be embraced by the young generation, in other words to see the young generation remain genuine Mongols and not give in to the enticing consumer society nor to the forces of globalization. |